She was a lovely girl, attired in deep mourning, and having an expression of profound sorrow on her charming features. We have to hang about in the interval. This lifeless appearance was heightened by the extreme sharpness of her features—especially the nose and chin,—and by the emaciation of her limbs, which was painfully distinct through her drapery. She had never been to the opera before except as one of a congested mass of people in the cheaper seats, and with backs and heads and women’s hats for the frame of the spectacle; there was by contrast a fine large sense of space and ease in her present position. The whole neighbourhood was disturbed. “I have had nothing since, and it seems a very long time. “I had no idea that it was so abominably late. .
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